I use wood as a material embodiment of time and space, working in close dialogue with nature. Through carving and painting, I create a dialogue between painting, printmaking, and the material itself. For me, wood embodies time: its grain, textures, and marks carry traces of growth, transformation, and memory.

I search for a visual language that is, at once, image and not-image; surface and texture; a meeting point of complementary opposites. Through carving and painting, I seek to imprint the complex arrangement of dualities that shape the ephemeral materiality of my what I perceive. The image emerges not as a fixed representation, but as a threshold where contrasting forces coexist and continuously transform one another.

My work explores the space between opposites. Presence and absence, permanence and change, co-produce form and meaning, opening a threshold toward what persists between binary conditions. I am interested in what remains in motion, in the unfinished and the unrepeatable. Through this process, I seek to make visible the fragile and ever-changing nature of perception and life.